This room was rebuilt on a high concrete foundation in 1982 due to the loosening of one of the wooden ceiling beams. Originally, it had its own deep ablution drain, which was retained but converted into a modern shower during the restoration in 2019. The bathroom features an exclusive handmade ceramic sink and a drainage stone with an "ishkor" glaze made by one of the best national potters of our time, Abdulvahid Bukhariy. The glass floor can withstand more than 300 kilograms per square foot. Underneath it used to be "Sandals" - a method of heating the feet with charcoal covered by a copper basin known as a "koshiki," but this was removed for safety reasons for the hotel. Instead, an antique drainage stone obtained from the inside of the hammam and a brass jug were placed there as decorations

This room is located in the old porch of the house, preserved from modern interventions. It has access to the hall (which was dispossessed in the 1930s along with other structures that had entrances to the premises) through two corridors, one of which contains a traditional ablution drainage, and access to its own patio (which used to be a counter). Additionally, there were two additional buildings which eventually fell into the wrong hands.
The closet, where the old double-leaf door is located, was originally a genuine exit to the courtyard, but was later walled up with the hereditary section of Usman's heritage. During the restoration in 2019, the design and architecture of this room were fully preserved and then fully restored.
In the bathroom, there is a sink covered with an "ishkor" glaze made by one of the best national potters of our time, Abdulvahid Bukhariy. The age of this wing is on par with the age of the house, which is more than 200 years old

This room is located in line with the Minaret Kalyan, and during the firing of Bukhara in 1920 under the supervision of Frunze, one of the projectiles struck it. The family salvaged the architecture, but it remained an open terrace. Later, after my grandmother graduated from the Samarqand Medical Institute and started her practice, she renovated it into a working space and library

This room has stood on its foundation for over 200 years. Thanks to its double foundation and thick walls made of four layers of ancient bricks (like those used in madrasahs and mosques), it retains heat and cool air better.
Initially, the room was windowless with a low ceiling to retain heat, and it had "sandals" (an ancient method of heating the room and feet with charcoal covered with a copper basin called "koshiki") which is not preserved due to the small area of the room. The room also had its own ablution drainage system (connected jugs with an open bottom leading to the "tazar," or ground water underground veins).
During restoration in 2019, the drainage system was converted into a modern bathroom, featuring a unique sink with "ishkor" glaze performed by one of the best national potters, Abdulvahid Bukhariy

This room was built by my grandmother in 1968 and served as a guest room with no permanent residents. During periods without guests, swallows would build nests on the territory of the current bathroom, which guests found adorable and considered a good sign. Unfortunately, this tradition gradually disappeared over time, perhaps due to reconstruction or the swallows and storks flying away.The ancient ceiling beams are preserved in the bathroom, and the decor features antique tiles made in Yugoslavia in the 1960s and Tashkent tiles from 1978